Before production, Barbara Ettinger,Sven Husby, and Ben Kalina talk about how to go about green filmmaking.From the paper in the printer to lights on the set: we can’t takeanything for granted any more. Especially not if we’re going to make afilm about the consequences of excess carbon dioxide in the atmosphere.
As we got started on our documentary about how carbon dioxide is radically reshaping the world’s oceans we were eager, and maybe even felt a bit obligated, to try to reduce the CO2 footprint of our own filmmaking process. In this 3 minute clip, filmed as production began in the spring of 2007, Barbara, Sven and Ben talk about their big ideas for making A Sea Change a sustainable film production.
This will be the first of many blog entries focused on sustainable filmmaking. As we chart the trials and tribulations of walking the walk of reducing our filmmaking footprint, we’re eager to hear your thoughts on what we tried to do, what we might have done, and what you’re doing in the film and video universe to reduce your impact on the planet.
We’ve been working since the beginning of 2007 with the Greencode Project, an international collective of filmmakers based in Canada working to promote and establish environmentally friendly practices that willhelp create an International set of standards for the film and mediaindustry. We’re also working with Carbon Planet, based in Australia, who are helping us to conduct an energy audit to establish a carbon footprint for our film which will help us to estimate how many carbon credits we’re going to need to buy to offset the mess we’ve made during the production of A Sea Change.
Special thanks to Josh Aronson for shooting.
